Archive for July, 2017

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Freedom, like everything else, is relative,

In Book Reviews,CannonballreadIX 2017,Feminism,Fiction on July 14, 2017 by mrsdilemma Tagged: , , , ,

Margaret Atwoods The Handmaids Tale tells the story of Offred; a Handmaid in the Republic of Gilead – a reconstructed United States. Offred witnesses the dissolution of her former way of life and the transformation of society into a totalitarian theocracy. Women are enslaved and stripped of even their most basic rights, they cannot choose who to be in a relationship with, they cannot, read, write, own property, gain employment or even hold on to their own name. Offred is a patronymic, it is a name gifted to the individual to signify ownership, she is of fred, therefore Offred.

Prior to the start of the story an environmental disaster has caused mass infertility and women are only valued if their ovaries are still viable, they have become breeding stock. These women are called Handmaids, they are forced to provide the Commanders with children in a grotesque parody of lovemaking, they exist as a sum total of their biological ability.

Atwoods story is full to the brim of fragments of Offred’s past, remembered with; perhaps, rose colored glasses, juxtaposed against the brutal reality of her life in Gilead. “All of those women having jobs: hard to imagine now, but thousands of them had jobs, millions. It was considered the normal thing.” In an attempt to make life in Gilead believable Atwood only used atrocities that have already occurred in our lifetimes; the treatment of women in Saudi Arabia under Wahhabi Law, The Lebensborn program ad book burning in Nazi Germany and the east German surveillance state.

I devoured this book, not only is Atwoods writing sublime, but the world she has created and the characters that inhabit it are challenging, thought provoking, demanding and above all else utterly real. I would have this book as compulsory reading in each and every American high school – but I guess that would challenge the status quo much to much.

With the inclusion of the seemingly additional final chapter ( Historical Notes ) it appears to me that Atwood wrote the Handmaids Tale as a sort of 1980s Anne Franks Diary – it is the literature of witness, her story has been recorded in the hope of being discovered, the hope of being shared and the hope of being understood so that it never has to happen again. She is an eyewitness to the fallen regime.

In reading a book which was released in 1985 I was interested to read how it was received, there were many positive reviews and a large number of prizes awarded but there is always one that can come back to haunt an author. When first released there was a review in The New York Times by Mary McCarthy. ( http://www.nytimes.com/books/00/03/26/specials/mccarthy-atwood.html?mcubz=0 ) McCarthy deemed Gilead as insufficiently imagined, she suggested that The Handmaids Tale is powerless to scare. She went on to say;  “I just can’t see the intolerance of the far right, presently directed at not only abortion clinics and homosexuals but also at high school librarians…. as leading to super biblical puritanism.” I wonder if she can see it now?

Dystopian literature or as Atwood calls it; Speculative Fiction, should be a cautionary tale not a blueprint for society. She imagines a terrifying world where Women are subjugated by the ruling male patriarchy – its all starting to sound just all to familiar. . . 32 years ago when it was first published it still felt overwhelmingly far fetched, now, not so much. Atwoods tale has taken on a frightening new relevance.

 

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Completely fine. 100% fine. a thousand percent fine.

In Book Reviews,CannonballreadIX 2017,Fiction on July 14, 2017 by mrsdilemma Tagged: , , , ,

Eleanor Oliphant is Completely Fine is the debut novel for author Gail Honeyman. The book rights have sold for huge sums worldwide and the movie rights now belong to Reese Witherspoon’s new company Hello Sunshine.

In writing Eleanor, Honeyman has created a character I would love to get to know – She is unfiltered, forthright, smart, funny and profoundly lonely. Eleanor has no interpersonal skills, no social skills, no concept of what opportunities life could hold for her and she is very very real, there are parts of Eleanor I see in myself and parts I cannot hope to ever understand. She is an utterly contradictory character; She has a quite warmth coupled with a deep and unspoken sadness, She comes across as harsh and yet totally vulnerable and she is smart as hell but exceptionally naive.

When we meet Eleanor she has a 9 – 5 job, a routine and a carefully timetabled and choreographed life, she is physically and psychologically scared through some traumatic childhood event which is slowly but eventually revealed to the reader. We, the reader, are gradually fed morsels of information until we feel we understand Eleanor and it is then we realize that we don’t have a clue.

Through a series of seemingly innocuous events Eleanor is very slowly drawn into the lives of others and she beings to slowly build connections. These characters she connects with may appear as new fixtures in her life or as brief utterances but they are written with such brilliance that they transcend labels; they are not the good guys, they are not the bad guys, they are not just plot devices, they are real people. Honeyman’s character driven writing is faultless and I want to read more.

Reading Eleanor Oliphant will remind you to take a look at the people you love and say thank you to whoever put them in your life, it will remind you of the importance of friendship, and indeed the importance of human interaction and connection. It will remind you that it is never to late to hope.